Undergraduate Woodwind Audition Repertoire

• One of the following:
  ◦  Two contrasting movements of a sonata by J.S. Bach
  ◦  The first movement of a Mozart Concerto G major KV 313
  ◦  The first movement of Mozart Concerto D major KV 314
• A contrasting work of your choice from the standard flute repertoire (two contrasting movements if a multi-movement composition is chosen)
• Orchestral Excerpt: Debussy - Prelude a l’apres-midi d’un faun (the first 30 measures)
• Scales:
  ◦  All major scales and arpeggios, minimum of two octaves
  ◦  Three octave chromatic scale 
  ◦  Minor scales are recommended, but not required
• Sight reading

Repertoire questions? Email Prof. Angela Jones-Reus.

• Slow aria/cantata by J.S. Bach
• One movement of a sonata or concerto of your choice
• Fast etude by Ferling/Barret (performance majors only)
• Scales:
  ◦  Major Scales, minimum of two octaves
  ◦  Chromatic Scale, low Bb to High F

Repertoire questions? Email Dr. Reid Messich.

• One movement from a concerto or sonata of your choice
• One contrasting étude from the L. Milde Concert Studies or the J. Weissenborn 50 Advanced Studies
• Scales:
  ◦  All major scales and arpeggios
  ◦  Three octave chromatic scale beginning on Bb
• Sight-reading may be required

Repertoire questions? Email Dr. Amy Pollard.

• At least two movements of a multi-movement work from the standard saxophone literature, or a larger one movement work, such as Glazounov Concerto
• Two contrasting etudes, such as Ferling, Karg-Elert or Voxman
• All major scales, full range of the horn
• Sight-reading

Repertoire questions? Email Dr. Connie Frigo.

• Two contrasting solos/etudes:
  ◦  One demonstrating lyrical-expressive capabilities
  ◦  One demonstrating technical skill 
• Scales:
  ◦  All major scales and arpeggios (from memory)
  ◦  Chromatic scale 
• Sight-reading (moderate difficulty)

Repertoire questions? Email Dr. D. Ray McClellan.